Paintings
sculptures
- Air 05
- Air 04
- Air 03
- Air 02
- Air 01
- condenser black
- screen blue
- screen yellow
- Screen violet
- PASSIM
- janus
DRAWINGS
INSTALLATIONS
- abraded pool
- atoll
- lyre
- TRANE
- souffle
- brown suite (for duke)
- patch
- star
PHOTOS
ENVIRONMENT
- sun of ink
- Gyro
- Red Cloud
- La bocca
- Ah !
- Flaw
RRose
Contact

Paintings
sculptures
- Air 05
- Air 04
- Air 03
- Air 02
- Air 01
- condenser black
- screen blue
- screen yellow
- Screen violet
- PASSIM
- janus
DRAWINGS
INSTALLATIONS
- abraded pool
- atoll
- lyre
- TRANE
- souffle
- brown suite (for duke)
- patch
- star
PHOTOS
ENVIRONMENT
- sun of ink
- Gyro
- Red Cloud
- La bocca
- Ah !
- Flaw
RRose
Contact

reflet

abraded pool

eau, projection de lumière, reflet

Paris, 1991

1 Profile spot projects a rectangle on a light reflecting surface of extra color. This surface is very thin and very light. It has been folded and unfolded. It hangs on the wall on the upper part. The work is installed in a corner of a room, the glossy surface color projected on the wall adjacent colored irregularities of its surface. When approaching a spectator, the metal surface begins to ripple through electrostatic phenomenon. Reflection of colored light is moving. This could be likened to the movement of light on the bottom of a pool. The pool is decomposed: the bottom of a side of the other light. Between the two, the water, the fluid.

1 red blanket survival 220cm x140cm
1 Profile spot

Unique piece designed for a corner

uriel (violet on red)

dégradé, rayonnement, reflet, verre

Paris, 2004
3 plates of colored glass come to settle on a monochrome mural painting.
The color of the glass and the color of the mural painting mix.
The viewer never sees the true color of the painted wall.
What the viewer sees is neither in the glass nor in the paint.
It only exists in the eye of the viewer.
Glass plans actually projects colored light on the mural painting.
The strength of this projection depends on the ambient light.
This creates very subtle gradients, intangible and totally impossible to do by hand.
Dimensions of each glass plate : 210cm x 1.2cm 210cmx

uriel (yellow on red)

dégradé, rayonnement, reflet, verre

Paris, 2004
3 plates of colored glass come to settle on a monochrome mural painting.
The color of the glass and the color of the mural painting mix.
The viewer never sees the true color of the painted wall.
What the viewer sees is neither in the glass nor in the paint.
It only exists in the eye of the viewer.
Glass plans actually projects colored light on the mural painting.
The strength of this projection depends on the ambient light.
This creates very subtle gradients, intangible and totally impossible to do by hand.
Dimensions of each glass plate : 210cm x 1.2cm 210cmx

Uriel (yellow on yellow)

dégradé, rayonnement, reflet, verre

Paris, 2004
3 plates of colored glass come to settle on a monochrome mural painting.
The color of the glass and the color of the mural painting mix.
The viewer never sees the true color of the painted wall.
What the viewer sees is neither in the glass nor in the paint.
It only exists in the eye of the viewer.
Glass plans actually projects colored light on the mural painting.
The strength of this projection depends on the ambient light.
This creates very subtle gradients, intangible and totally impossible to do by hand.
Dimensions of each glass plate : 210cm x 1.2cm 210cmx

Uriel (blue on yellow)

dégradé, rayonnement, reflet, verre

Paris, 2004
3 plates of colored glass come to settle on a monochrome mural painting.
The color of the glass and the color of the mural painting mix.
The viewer never sees the true color of the painted wall.
What the viewer sees is neither in the glass nor in the paint.
It only exists in the eye of the viewer.
Glass plans actually projects colored light on the mural painting.
The strength of this projection depends on the ambient light.
This creates very subtle gradients, intangible and totally impossible to do by hand.
Dimensions of each glass plate : 210cm x 1.2cm 210cmx

Flaw

dégradé, reflet, verre

1997, Caen
General Treasury of Caen
Client : Ministry of Finance
Architect : Thierry van der Wyngaert

The artwork in its form of a an angle reveals the relationship between the couple
formed by the building and the two roads that surround the General Treasury of Caen.

“Faille” is the monumental version of “Coin”. It is designed for the outdoors.
It consists of five volumes of yellow colored glass and a blue painted wall.
These volumes are perfectly aligned with each other.
This alignment (10m) at an angle of 15 ° to the plane of the back wall of the court.

Dimensions of the glass wall: 1000 x 280cm
Dimensions of painting: 1000 x 280cm
Dimensions of each glass plate: 300 x 200 x 1.7 cm

Full Hole

dégradé, reflet

Paris, 2014

The work consists of one framed photo. The glass in the frame is a pink colored glass. This photo shows a viewpoint of the wall. It is printed to the dimensions of the wall to create the illusion that the wall continues into the picture. So there is a privileged point of view for the viewer to reconstruct perfectly the illusion. The viewer has the impression of seeing the wall through a colored glass.
Moving the viewer will deconstruct this illusion in trompe l’oeil.

1 photo dimensions: 150cm x 150cm

in vitro

dégradé, reflet, verre

Paris 1999

Monochrome hangs on the wall. Before him, a plate of purple colored glass.
Glass projected colored light on the painting and product reflections. The monochrome is no longer pure.

Glass sizes : 210cm x 210cm
Size of painting: 180cm x 180cm

Gyro

rayonnement, reflet

Rouen, 2011
Public order of the city of Rouen

Gyro is composed of two large mirrors sustained by painted concrete walls.
This work specifically meets the landscape and urban qualities of this garden.
The mirrors are disposed face to face at a slight angle.
They reflect the one into the other. The reflections are repeated shifting.
This creates a virtual depth spinning. This depth is more or less important
depending on the ambient brightness. Must be taken into account
colors of dawn and sunset. The garden is bordered by roads,
you can see the night lights of cars passing fugitively
in the depths of mirrors like shooting stars …

Stainless steel mirror polished
formed concrete walls, painting
Solid concrete base
Dimensions of 1 wall: 800 X 300 X 25 cm

Ah !

rayonnement, reflet, verre

College Marcelle Barron
Client : General Council of Loire-Atlantique
Architect : A + H Agency ROULLEAU

Ah! is composed of three layers of glass. The central layer is deliberately broken.
She is glued to two other layers that protects it.
Natural light sparkles across all glass splinters. At dawn or sunset,
“Ah!” shining red sunlight.

“Ah!” is a landscape painting without paint material and which would have kept the varnish.
It is a 360 degree painting …

Laminated broken diamond glass
Galvanized steel
Solid concrete base
Dimensions: 480 X 340 X 15 cm

coin

dégradé, reflet, verre

Paris 1998
1 colored glass plate is placed on a monochrome wall painting.
Painting and glass form an angle. This creates a closed space for the movement of people
but open to light. The drop shadow of colored glass colored the painting.

What the viewer sees is then neither in the glass nor in the paint.
It exists only in the eye of the viewer.
It depends on ambient light.
This creates very subtle, intangible and totally impossible to do by hand gradients.

Dimensions of the glass : 200cm x 200cm x 1.2cm
dimensions of the painting : 200cm x 200cm

TRANE

programmation, reflet, son, souffle, verre

Paris, 2010

Speaking into a microphone, makes the glass sheets to vibrate successively ways.
Sound travels from one plate to the other to produce the impression that the sound,
a microphone to another, through walls of glass. This feeling is reinforced by the fact that
the glass is sound-proofing material.

Glass e-glass at a temperature of 37.2 ° C
Dimensions of a glass plate: 300 x 250 x 1cm
Distance between two blades: 170 cm
Transducers, 2 microphones, amplifiers, interface, 1 computer.

Special thanks to Karim Lekehal and Cedric Ricard

Exhibition view, Glass House, 2010
Production : SAAZS

PASSIM

dégradé, rayonnement, reflet, verre

Dimensions:210 X 210 X 550 cm