Villa medici, Rome, 1992
1 projector projects a strip of light blue on blue monochrome.
1 other projector displays the same band of the same blue on green monochrome.
2 Profile spots, 2 monochromes,2 blue filters, matt acrylic paint
Dimensions of each monochrome : 200cm x 200 cm
Villa medici, Rome, 1992
1 projector projects a strip of light red on blue monochrome.
1 other projector displays the same band of the same blue on green monochrome.
2 Profile spots, 2 monochromes, 2 red filters, matt acrylic paint
Dimensions of each monochrome : 200cm x 200 cm
Paris, 1991
3 paintings, forming an angle with the wall hook, are placed on the floor
and separated from each other by 2 cm.
The two projectors each projecting a square of light on three black paintings.
2 squares of light so for 3 rectangles of pigment. The light is absorbed
by the black paint making the little glowing light.
She has also hit the white wall producing very light lines.
The painting color and lines are the same color but different tone.
2 Profile spots, 2 yellow filters, 3 black monochromes, black acrylic matt
Dimensions of each monochrome: 140 cm x 140 cm
eau, projection de lumière, reflet
Paris, 1991
1 Profile spot projects a rectangle on a light reflecting surface of extra color. This surface is very thin and very light. It has been folded and unfolded. It hangs on the wall on the upper part. The work is installed in a corner of a room, the glossy surface color projected on the wall adjacent colored irregularities of its surface. When approaching a spectator, the metal surface begins to ripple through electrostatic phenomenon. Reflection of colored light is moving. This could be likened to the movement of light on the bottom of a pool. The pool is decomposed: the bottom of a side of the other light. Between the two, the water, the fluid.
1 red blanket survival 220cm x140cm
1 Profile spot
Unique piece designed for a corner
Tirant is a series of six paintings.
Tirant in french is understood in the sense that we say, for example, that green is more yellow than blue.
This series presents my first manifesto on color.
There is no pure color. Color is a still another color.
The color is spectral. This is both a space and a ghost.
Here, one projector projects a first square of colored light on a monochrome
letting an edge of 5 cm on the paint. 1 other projector projects a second square of
light of another color that is perfectly superimposed on the first square.
The colors mix. The controller varies the intensity of the projectors.
When a projector is at full power the other is at its lowest.
The perception of color is going to take all the steps of mixing the two colored lights.
This is done in a very slow time for a contemplative space. The color is immaterial.
2 profile spotlights, 2 filters, 1 programmer, 1 monochrome matt acrylic paint
Dimension of each monochrome: 200cm x 200 cm
Paris 1991
1 Paintings, forming an angle with the wall hanging, is put on the ground.
The projector projects a square of colored light on the black painting.
The light is absorbed by the black paint makes the little radiant light.
It was like seeing a very soft velvety pigment color.
1 Profile spot, 1 gelatin, 1 black monochromes, black acrylic matt
Dimensions of monochrome: 150 cm x 150 cm
Paris, 1991
Villa medici, Rome, 1992
1 projector projects a strip of light rose on white monochrome.
1 other projector displays the same band of the same rose on red monochrome.
2 Profile spots, 2 monochromes,2 blue filters, matt acrylic paint
Dimensions of each monochrome : 200cm x 200 cm
Le Grand Palais, Paris, 1990
1 projector projects a line of blue light on the monochrome White.
1 other projector projects a square of red light to cover the entire surface of the white paint.
Layers of colored light superimposed.
The color is immaterial.
2 profile spots, 2 filters, 1 white monochrome matt acrylic paint
Dimensions white monochrome : 200cm x 200cm
1992, Paris
Medici Villa, Rome 1992
1 painting shows black square on a blue background. 1 profile spot projects a square of blue light
on the black square overflowing on the background of blue paint.
Black absorbs blue light while the blue pigment reflects the blue light strong.
Colored light splits.
This gives the impression that the light comes from behind as if there was a hole in the painting.
When a viewer passes between the profile spot and painting
it casts a shadow circumscribed black square. This reinforces the perception of a window.
1 profile spot cut, 1 filter, 1 painting, black and blue acrylic matte
Painting dimensions: 200 cm x 200 cm